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Study of the Afghanistan's Displaced Cultural Properties
Materials and Techniques of the Bamiyan Mural Paintings
- 出版社在庫情報
- 品切れ・重版未定
- 初版年月日
- 2006年11月
- 書店発売日
- 2006年12月20日
- 登録日
- 2010年2月18日
- 最終更新日
- 2010年4月9日
紹介
戦乱期に海外に流出し,現在,「文化財難民」として日本に一時的に保護されているバーミヤーン仏教壁画片41点に,最新型の装置による自然科学的方法で壁画の材料と技法に関する研究を行った。シルクロード研究に貴重な情報を提供。第3巻の英語版。
目次
Regarding the Publication of Recent Cultural Heritage Issues in Afghanistan (Norio SUZUKI)
Preface (Ikuo HIRAYAMA)
Preface (Norio SUZUKI)
Acknowledgements
Study of Afghanistan’s Displaced Cultural Properties
1. Summary of the Displaced Cultural Properties
1.1. Background for the Investigation of the Bamiyan Mural Paintings and the Displaced Cultural Properties (Kazuya YAMAUCHI)
1.2. The Original Locations of Mural Pieces Removed from the Bamiyan and Foladi Sites (Shumpei IWAI and Kosaku MAEDA)
1.3. Stratigraphy of Mural Paintings (Yoko TANIGUCHI)
2. Objective of the Investigation (Ichiro SATO and Shigeo AOKI)
3. Methodologies
3.1. Recording by Silver Salt Photography (Motomitsu MOMII and Takayasu KIJIMA)
3.2. Recording by High-Resolution Digital Photography (Ichiro SATO, Hiroshi ONISHI, Hiroyuki HAYAKAWA and Mitsuo ABE)
3.3. Raking Light Photography (Motomitsu MOMII and Takayasu KIJIMA)
3.4. Infrared Photogrammetry (Motomitsu MOMII and Takayasu KIJIMA)
3.5. Ultraviolet Fluorescence Photograph (Motomitsu MOMII and Takayasu KIJIMA)
3.6. Observation of Conditions (Yoko TANIGUCHI)
3.7. Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
3.8. Pigment Analysis using Portable X-ray Fluorescence (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
3.9. Pigment Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
4. Results of the Investigation
4.1. Photographic Record (Motomitsu MOMII and Takayasu KIJIMA)
4.2. Results of Observation of Conditions (Yoko TANIGUCHI)
4.3. Results of Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
4.4. Results of Analysis using Portable X-ray Fluorescence Analyser (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
4.5. Results of Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
4.6. Summary of Pigment Analysis (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
5. Discussion (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
5.1. History of the Study of Painting Techniques and Materials used in the Bamiyan and Foladi Mural Paintings
5.2. Painting Techniques and Materials of the Bamiyan Mural Paintings
5.3. Painting Techniques and Materials of the Foladi Mural Paintings
5.4. Discolouration of Pigments
5.5. Reds in Bamiyan
5.6. Binding Media of the Bamiyan and Foladi Mural Paintings
5.7. Summary
6. Conclusion (Ichiro SATO and Shigeo AOKI)
Bibliography
Appendix
Mural Painting Pieces Stripped from Cave K3, Bamiyan Site (Fragments 1-8)
Mural Painting Pieces Stripped from Cave E(e), Bamiyan Site (Fragments 9-16)
Mural Painting Pieces Stripped from Cave I, Bamiyan Site (Fragments 17)
Mural Painting Pieces Stripped from Cave 4, Foladi Site (Fragments 18-25, 28-31)
前書きなど
Regarding the Publication of Recent Cultural Heritage Issues in Afghanistan
In March 2001, the world was stunned by the shocking news of the destruction of the two Giant Buddhas at Bamiyan under the Taliban regime in Afghanistan. As an urgent measure, Bamiyan was hastly inscribed on the World Heritage List and on the World Heritage List in Danger, and safeguarding projects for the site are currently being conducted by several international institutions under the coordination of UNESCO.
Since 2003, the National Research Institute for Cultural Properties (NRICP) has been carrying out research and a conservation project on archaeological sites and cultural landscapes in Afghanistan, including Bamiyan. For the purpose of making the results widely available to the public, we plan to publish these as a series of documents entitled “Recent Cultural Heritage Issues in Afghanistan”.
This third volume will introduce the results of the scientific study of the Buddhist mural paintings in Bamiyan, titled as “Study of Afghanistan’s Displaced Cultural Properties: Materials and Techniques of the Bamiyan Mural Paintings”.
It would indeed, give us great pleasure if this series brought to your attention our undertakings and the international co-operation focused on the preservation of the cultural heritage in Afghanistan. In our hopes for the future rehabilitation of Afghanistan, we appreciate your understanding and continued support for our activities for the preservation of cultural heritage.
Norio SUZUKI
President
Independent Administrative Institution
National Research Institute for Cultural Properties, JAPAN
上記内容は本書刊行時のものです。