The technique of film and video editing : history, theory, and practice Dancyger Ken(著/文) - Focal Press
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The technique of film and video editing : history, theory, and practice
- 初版年月日
- c2011-01
- 登録日
- 2017年3月10日
- 最終更新日
- 2017年3月10日
紹介
The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Because editing is about more than learning a specific software program, this book focuses on the fundamentals of editing as art. Analysis of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed, Forgetting Sarah Marshall, MIchael Clayton, and more.
目次
Introduction Section I History of Film Editing Chapter 1: The Silent Period Chapter 2: The Early Sound Film Chapter 3: The Influence of the Documentary Chapter 4: The Influence of the Popular Arts Chapter 5: Editors Who Became Directors Chapter 6: Experiments in Editing: Alfred Hitchcock Chapter 7: New Technologies Chapter 8: International Advances Chapter 9: The Influence of Television and Theatre Chapter 10: New Challenges to Filmic Narrative Conventions Chapter 11: The MTV Influence on Editing I Chapter 12: The MTV Influence on Editing II Chapter 13: Changes in Pace Chapter 14: the Appropriation of Style I: Imitation and Innovation Chapter 15: The Appropriation of Style II: Limitation and Innovation Chapter 16: The Appropriation of Style III: Digital Reality Section II: Goals of Editing (new) Chapter 17: Editing for Narrative Clarity (new) Chapter 18: Editing for Dramatic Emphasis (new) Chapter 19: Editing for Subtext (new) Chapter 20: Editing for Aesthetics (new) Section III: Editing for the Genre Chapter 21: Action Chapter 22: Dialogue Chapter 23: Comedy Chapter 24: Documentary Chapter 25: Imaginative Documentary Chapter 26: Innovations in Documentary I Chapter 27: Innovations in Documentary II Chapter 28: Ideas and Sound Section IV Principles of Editing Chapter 29: The Picture Edit and Continuity Chapter 30: The Picture Edit and Pace Chapter 31: The Sound Edit and Clarity Chapter 32: The Sound Edit and Creative Sound Chapter 33: Innovations of Sound Chapter 34: Nonlinear Editing and Digital Technology I Chapter 35: Nonlinear Editing and Digital Technology II Chapter 36: Conclusion Appendix A: Filmography Glossary Selected Bibliography Index
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