版元ドットコム

Japan Center for International Cooperation in Conservation, National Research Institute for Cultural Properties, JAPAN：企画編集, National University Corporation, Tokyo National University of Fine Arts and Music：企画編集, 山内　和也：監修・責任編集, 前田　耕作：責任編集, 青木　繁夫：責任編集
発行：明石書店
この版元の本一覧
A4判 200ページ 上製
定価：12,000円＋税　総額を計算する
ISBN978-4-7503-2447-0(4-7503-2447-7) C0322
在庫あり
奥付の初版発行年月：2006年11月
書店発売日：2006年12月20日

紹介

戦乱期に海外に流出し，現在，「文化財難民」として日本に一時的に保護されているバーミヤーン仏教壁画片41点に，最新型の装置による自然科学的方法で壁画の材料と技法に関する研究を行った。シルクロード研究に貴重な情報を提供。第3巻の英語版。

目次

Regarding the Publication of Recent Cultural Heritage Issues in Afghanistan (Norio SUZUKI)
Preface (Ikuo HIRAYAMA)
Preface (Norio SUZUKI)
Acknowledgements

Study of Afghanistan’s Displaced Cultural Properties
　1. Summary of the Displaced Cultural Properties
　　1.1. Background for the Investigation of the Bamiyan Mural Paintings and the Displaced Cultural Properties (Kazuya YAMAUCHI)
　　1.2. The Original Locations of Mural Pieces Removed from the Bamiyan and Foladi Sites (Shumpei IWAI and Kosaku MAEDA)
　　1.3. Stratigraphy of Mural Paintings (Yoko TANIGUCHI)
　2. Objective of the Investigation (Ichiro SATO and Shigeo AOKI)
　3. Methodologies
　　3.1. Recording by Silver Salt Photography (Motomitsu MOMII and Takayasu KIJIMA)
　　3.2. Recording by High-Resolution Digital Photography (Ichiro SATO, Hiroshi ONISHI, Hiroyuki HAYAKAWA and Mitsuo ABE)
　　3.3. Raking Light Photography (Motomitsu MOMII and Takayasu KIJIMA)
　　3.4. Infrared Photogrammetry (Motomitsu MOMII and Takayasu KIJIMA)
　　3.5. Ultraviolet Fluorescence Photograph (Motomitsu MOMII and Takayasu KIJIMA)
　　3.6. Observation of Conditions (Yoko TANIGUCHI)
　　3.7. Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
　　3.8. Pigment Analysis using Portable X-ray Fluorescence (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
　　3.9. Pigment Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
　4. Results of the Investigation
　　4.1. Photographic Record (Motomitsu MOMII and Takayasu KIJIMA)
　　4.2. Results of Observation of Conditions (Yoko TANIGUCHI)
　　4.3. Results of Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
　　4.4. Results of Analysis using Portable X-ray Fluorescence Analyser (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
　　4.5. Results of Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
　　4.6. Summary of Pigment Analysis (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
　5. Discussion (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
　　5.1. History of the Study of Painting Techniques and Materials used in the Bamiyan and Foladi Mural Paintings
　　5.2. Painting Techniques and Materials of the Bamiyan Mural Paintings
　　5.3. Painting Techniques and Materials of the Foladi Mural Paintings
　　5.4. Discolouration of Pigments
　　5.5. Reds in Bamiyan
　　5.6. Binding Media of the Bamiyan and Foladi Mural Paintings
　　5.7. Summary
　6. Conclusion (Ichiro SATO and Shigeo AOKI)
Bibliography

Appendix
　Mural Painting Pieces Stripped from Cave K3, Bamiyan Site (Fragments 1-8)
　Mural Painting Pieces Stripped from Cave E(e), Bamiyan Site (Fragments 9-16)
　Mural Painting Pieces Stripped from Cave I, Bamiyan Site (Fragments 17)
　Mural Painting Pieces Stripped from Cave 4, Foladi Site (Fragments 18-25, 28-31)

前書きなど

Regarding the Publication of Recent Cultural Heritage Issues in Afghanistan
In March 2001, the world was stunned by the shocking news of the destruction of the two Giant Buddhas at Bamiyan under the Taliban regime in Afghanistan. As an urgent measure, Bamiyan was hastly inscribed on the World Heritage List and on the World Heritage List in Danger, and safeguarding projects for the site are currently being conducted by several international institutions under the coordination of UNESCO.

Since 2003, the National Research Institute for Cultural Properties (NRICP) has been carrying out research and a conservation project on archaeological sites and cultural landscapes in Afghanistan, including Bamiyan. For the purpose of making the results widely available to the public, we plan to publish these as a series of documents entitled “Recent Cultural Heritage Issues in Afghanistan”.

This third volume will introduce the results of the scientific study of the Buddhist mural paintings in Bamiyan, titled as “Study of Afghanistan’s Displaced Cultural Properties: Materials and Techniques of the Bamiyan Mural Paintings”.

It would indeed, give us great pleasure if this series brought to your attention our undertakings and the international co-operation focused on the preservation of the cultural heritage in Afghanistan. In our hopes for the future rehabilitation of Afghanistan, we appreciate your understanding and continued support for our activities for the preservation of cultural heritage.

Norio SUZUKI
President
Independent Administrative Institution
National Research Institute for Cultural Properties, JAPAN

著者プロフィール

山内　和也（ヤマウチ　カズヤ）

Head, Regional Environment Section, Japan Center for International Cooperation in Conseruation (JCICC), NRICP, Tokyo

Mr Yamauchi studied asian history and archaeology at Waseda University. He specialised in the archaeology and cultural history of Iran and Central Asia. He has conducted an archaeological survey project in the mountainous region of Northwest Iran (Gilan province) from the perspective of ecological and landscape archaeology. He also has extended knowledge of ancient and middle Iranian languages including Persian, Dari, and Pahlavi. He carries out research from a wider historical perspective targeting the area influenced by Iranian culture during the historical period. Currently, at the NRICP, he organises the archaeological and conservation projects of the Bamiyan site, Afghanistan. He has written many articles on archaeology of Iran and numismatics. His numerous publications including ‘Japanese activities on the rehabilitation of the cultural heritage in Afghanistan’, Towards the rehabilitation of the cultural heritage in Afghanistan, 2004, ‘Destroyed Buddhist site of Bamiyan’, Kikan Minzokugaku (ethnology quarterly), No.110. 2004, and was the supervising translator of W. Vogelsang, The Afgans, 2005.

前田　耕作（マエダ　コウサク）

Visiting Researcher, JCICC, NRICP, Tokyo/ Professor Emeritus, Wako University

Professor Maeda studied art history at Nagoya University. He was engaged in various archaeological projects of ancient Buddhist sites in Afghanistan between 1964 and 1977. He was a professor at Wako University from 1975 to 2003. Since 2003, he works for the safeguarding project of the Bamiyan site, which is funded by the UNESCO-Japan Fund-in-Trust. He is a trustee member of the Japan-China Cultural Exchange Association, the Japan-Afghanistan Association, the Ancient Orient Museum, Japan, and the Hirayama Ikuo Silkroad Museum. He is also Director-General of the Japan Institute for the Studies of the Cultures of Afghanistan. His numerous publications including The landscape of colossal images (1986), The rise and decline of Bactrian kingdom (1992), Bamiyan: Buddhist site of Afghanistan (2002), and The arche-image of Asia (2003), and was the supervising translator of W. Vogelsang, The Afgans, 2005.

青木　繁夫（アオキ　シゲオ）

Director, JCICC, NRICP, Tokyo

Professor Aoki studied archaeology at Kokugakuin University. He joined the Tokyo National Research Institute for Cultural Properties (now the Independent Administrative Institution, NRICP, Tokyo) in 1971 and was Director of the Department of Restoration and Conservation between 2001 and 2003. Since 2004 he holds his current position of Director. Since 1998, he has held a professorship at Tokyo National University of Fine Arts and Music. His major field is the conservation of archaeological sites and artefacts. He works mainly towords the development of new techniques for metal conservation, conservation of mural paintings, such as those at Takamatsuzuka Tumulus (Japan) and the Mogao Grottos (China), and the conservation of archaeological sites. He holds a patent on the conservation method of archaeological sites. He has written many articles such as, ‘Conservation Treatment of Inlaid Artefact by Plasma Technique’, Science for Conservation, No.34, 1995, ‘Analysis of Corrosion Products Formed on the Great Buddha Image of Kotokuin Temple in Kamakura’, Science for Conservation, No.35, 1996, ‘Conservation of historical site of Kasori Shellmound Site’, Bulletin of Kasori Shellmond Site Museum No.23, 1998, ‘Conservation of Archaeological Sites’, Conservation of Monuments in Thailand III, 2004.